THE WILLIAM MUNNY KILLINGS
INT. ALICES ROOM - NIGHT
NIGHT IN ALICES ROOM. A little bit of moonlight coming in
through the tiny window might make a highlight here and
there but thats about all. Words begin to crawl across the
screen:
WRITTEN WORDS (crawl)
Of good family, albeit one of
modest means, she was a comely
young woman and not without
prospects. Therefore it was at
once heartbreaking and a
The Unforgiven
Original Screenplay
by
David Webb Peoples
PRODUCTION DRAFT
April 23, 1984
INT. ALICES ROOM - NIGHT
NIGHT IN ALICES ROOM. A little bit of moonlight coming in
through the tiny window might make a highlight here and
there but thats about all. Words begin to crawl across the
screen:
WRITTEN WORDS (crawl)
Of good family, albeit one of
modest means, she was a comely
young woman and not w
-- TERMINATOR 2 SCRIPT --
1 ext. city street - day 1
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the
lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they
move in herds among the glittering rows of cars jammed bumper to bumper.
Heat ripples distort the torrent of faces. The image is surreal,
dreamy... and like a dream it begins very slowly to
dissolve to:
2 e
H A N N I B A L
Screenplay
by
Steven Zaillian
Based on the Novel
by
Thomas Harris
Revision
February 9, 2000
INT. PANEL VAN - DAY
Clarice Starling is dead, laid out in fatigues across a bench
in the back of a ratty, rattling undercover van. Three other
agents sit perched on the opposite bench, staring at her
lifeless body.
BURKE
How can she sleep at a time like this?
BRIGHAM
Shes on a jump-out squ
The camera is moving toward an Indian city. We are high and far away, only the sound of the wind as we grow nearer and nearer, and through the passing clouds these words appear:
No mans life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the
Friday the 13th, Part 3
FADE IN:
??
TITLE AND CREDITS
??
A piercing high note is sustained on the soundtrack as the
main title, "CRYSTAL JAPAN" speeds straight at the audience
in 3-D and seems to jump right out at them.
??
The opening credits follow. Ominous theme music fills the
soundtrack, growing darker and more dissonant.
??
The theme music slowly dissolves into the sound of a radio
news broa
JFK
FADE IN:
Credits run in counterpoint through a 7 to 10 minute sequence of
documentary images setting the tone of John F. Kennedys Presidency and
the atmosphere of those tense times, 1960 through 1963. An omniscient
narrators voice marches us through in old time Pathe newsreel fashion.
VOICE
January, 1961 - President Dwight D. Eisenhowers
Farewell Address to the Nation -
EISENHOWER ADDRES
POINT BREAK
by James Cameron & Kathryn Bigelow
From the Screenplay by
W. Peter Iliff
??
??
FADE IN:
We are in the belly of a wave.
Light refracts in a constant collision of water.
SLOW MOTION, the hallucinatory prisms, like liquid
diamonds taking flight, dreamlike...
??
EXT. OCEAN - DUSK
Backlit against a flaming sun a solitary SURFER glides
across the green glassy peak. TIME IS STRETCHED until h
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they move in herds among the glittering rows of cars jammed bumper to bumper. Heat ripples distort the torrent of faces. The image is surreal, dreamy... and like a dream it begins very slowly to...
DISSOLVE TO:
EXT. CITY RUINS - NIGHT
Same spot as the last shot, bu